Kine Bi-Weekly: Hillsborough, Lee and Turner, Fujifilm etc.

There has a been a metric ton of movie archiving news in the past few days – check it out…

BBC News > Hillsborough Papers: Key Excerpts >> The staggering revelations from the release of the Hillsborough documents are a testament to the need for – and devastating power of – archival evidence. Would we have known how these documents were doctored if the business had been done on computer?

WSAV TV > Georgia Closes State Archives >> Obviously Georgia didn’t get the memo re: the importance of accessing archival documents. Via AMIA Newsbriefs.

BFI > World’s Earliest Colour Moving Images on View >> Amazing restoration of what is probably the earliest footage photographed in colour. See it on display at the National Media Museum in Bradford.

Fujifilm Global > Announcement on Motion Picture Film Business of Fujifilm >> Fuji has ‘decided to discontinue the sales of negative films, positive films, and some other products of motion picture in a prospect of March 2013.’

Moving Image Archive News > New Award to Honor a Valued Archivist >> AMIA announces a new award for project-archivists improving film archiving practice, named in honour of Alan J. Stark. Nominate your archivists here.

Indiewire > A Silent Star Goes Digital >> Leonard Maltin discusses the new web resource from the Mary Pickford Foundation, including ‘interesting articles, rare film clips, and more.’

Crowdrise > Motion Picture Poster Restoration >> Help George Eastman House restore a fabulous original one-sheet for Are Parents People (1925). The fundraiser has already secured the restoration of a poster for The Silent Witness (1917)!

Indiegogo > Save the Brit Archivist! >> An enterprising young AV librarian from the UK needs help to fund her work cataloguing 16mm for Seattle’s Northwest Film Forum. As a fellow Brit-film-archive-intern-US-visa-survivor, you have my support, Gem!

LA Times > Academy Offers Tours ‘Inside the Vaults’ of the Pickford Center >> Holla to my UEA and IPI co-graduate, Tessa, currently rocking film archiving at the friggin’ Academy!

Self-Styled Siren > Anecdote of the Week: “The Girl in the Black Tights” >> Me and the Siren are both massive Mabel Normand fangirls. One day I will disagree with her!

Ferdy on Films > Duck Amuck (1953) >> ‘The 1950s were the heyday of the Organization Man, with Daffy perfectly channeling the conformist worker in companies that often operated on the whims of their founders or charismatic leaders.’ Amen, Ferdy.

Spaces of Television > A new blog chocablock with findings and editorials from the talented research team behind the AHRC’s Space of Television project.

Eventbrite > Living British Cinema presents the Film Finances Archive >> ‘On Friday 12 October, the Living British Cinema forum will host at Queen Mary, University of London an afternoon that will introduce this important and, to date, private collection to film writers, archivists and scholars. It will be an opportunity to sample a treasure-trove of primary material relating to the post-war British cinema, to learn about one of the film industry’s most significant although little-known companies, and to contribute to a debate on the future of this extraordinary new resource.’ <– FREE ENTRY!

Kine Bi-Weekly: Film Festivals, Symposia, New Books etc.

Every fortnight Kine Artefacts lists the latest news, views and curiosities from the world of moving image archiving.

Film Society Lincoln Center > Festivals: Il Cinema Ritrovato in Bologna >> Where you in Bologna for this year’s Il Cinema Ritrovato? Sounds like it was a scorcher, in terms of both the line-up and the weather!

Cineteca del Friuli > 31st Pordenone Silent Film Festival >> Speaking of festivals, this week Le Giornate del Cinema Muto posted some exciting additions to the fest in Pordenone this Oct.

Moving Image Archive News > Hauling Out Chariots of Fire for the Olympics >> If you only learn one thing about archive film, dear reader, it is that the vast majority of rediscoveries are found in the vaults of a pre-existing archive. The BFI has found some seminal sporting footage of Olympic athletes Harold Abrahams and Eric Liddell, just in time for London 2012!

Digital Journal > Cinetech Selected to Receive 2012 Anthology Film Preservation Award for Excellence in Motion Picture Restoration and Preservation >> Congratulations to Cinetech, justly recognised by Anthology Film Archives for over 20 years of restoration work.

Library of Congress > Every Format on the Face of the Planet >> Fun and thought-provoking piece on the challenges of preserving the hundreds of digital file formats available out there.

AV Preserve > How Necessary Is Rehousing Archival Audio & Video? >> I’m doing a lot of research into magnetic materials at the moment, and this question has crossed my mind often of late.

Presto Centre > All about preservation from broadcast engineers >> ’The latest edition of Broadcast Engineering, from June, is dedicated to TV and film production archives, offering several articles that are of particular interest to professionals who work within this domain.’

AMIA @ NYU > Archiving the Arts >> The deadline for paper submissions to the Archiving the Arts symposium has been extended until Friday.

Just for fun >> Classic Movies has a compilation of classic screen tests, and Kim Lindbergs lists Summer reads for fans of 1960s and 70s cinema over at Movie Morlocks.

More reading >> Two new archiving books have been released: Janna Jones’ The Past is a Moving Picture, and Joshua Yumibe’s Moving Color. The latter is finding its way to Kine Artefacts as I type.

And lastly, rest in peace film preservationist Nancy Mysel, who achieved so much for someone who died far too young.

Kine Bi-Weekly

Every fortnight Kine Artefacts lists the latest news, views and curiosities from the world of moving image archiving.

The New York Times > Andrew Sarris, Village Voice Film Critic, Dies at 83 >> An auteur of auteurism sadly passes. Also, here’s a compilation of all Sarris’ Top Ten lists, from 1958 to 2006.

Cinema Styles > Pop Culture’s Smell of Mendacity >> A fun rundown of the cliches, inaccuracies and downright lies lazy cultural critics perpetuate. This was just the sort of journalism that folks like Sarris tried to avoid.

British Federation of Film Societies (BFFS) > BFFS Film Society of the Year Awards 2012 >> Do you know of a top notch British film society or community cinema? Vote for them, and keep local exhibition alive!

BBC Research & Development Blog > Opening Up the Archives: Part 1 of a 6 part film about R&D and Archive Research >> The BBC Archive opens its doors in this ongoing documentary series: here’s Pt 1, Pt 2, Pt 3 and Pt 4.

The Bioscope > So, how has the digital revolution been for you? >> Luke McKernan posts his opinion on incorporating digital technology in the field of early cinema research.

Moving Image Archive News > National Film Preservation Foundation Helps to Save Films by Tod Browning, John Cage, and Many Others >> The National Film Preservation Foundation announces its latest set of grant recipients.

The Hollywood Reporter > Venice Film Festival to Screen 10 Rare Films From Archive in Special Retrospective >> ‘The festival will restore the copies from its Historic Archives of the Contemporary Arts of the Biennale for the screenings on the Lido. Afterwards, the copies will be made available for cultural events and commercial re-release.’

Kine Bi-Weekly: Animation, Doctor Who, 3-D and…

Every fortnight Kine Artefacts lists the latest news, views and curiosities from the world of moving image archiving.

The Cinementals > Winsor McCay, Nemo and Gertie the Dinosaur >> Gertie was my first introduction to ‘film-as-artefact’, via an 8mm print in the University of York library.

Cartoons on Film > The Bray Animation Project, One Year On >> More early animation! Tom Stathes reports on the success of the Bray Animation Project, one year from its launch.

Wiped > Lost Doctor Who footage and musical performances by the Spencer Davis Group unearthed >> Doctor Who rediscoveries are always popular, and I personally ship Peter Cushing as the Doctor.

3-D Film Archive > New resource! The 3-D Film Archive launches a new website.

Library of Congress > The Mysterious Disappearance of the First Library of Congress >> Fascinating piece of archiving meta-history.

Observations on Film Art > Bette Davis eyelids >> David Bordwell is surely the best movie bean-plater in the business. Now I can’t stop analysing eyes in classic movies  (Garland was also a master of the glance).

Highlights from the For the Love of Film Blogathon

Belgian poster for North by Northwest sourced from Operator_99.

Links roundups are usually saved for the weekend, but this year’s For the Love of Film blogathon yielded so many gems that I thought I’d compile a list of personal highlights.

The remit was to blog on anything to do with Alfred Hitchcock, Graham Cutts (the *actual* director of The White Shadow), or film preservation more generally.

Chris Edwards reviews Easy Virtue, the 1928 adaptation of the Noel Coward play, directed by Hitch.

Speaking of incredible pairings, 21 Essays imagines a series of discussions between Hitch and Michael Powell on the set of Blackmail.

IMHO Hitchcock’s Champagne (1928) is severely underrated, but I’m open to other opinions.

I love Champagne primarily for the performance by Betty Balfour. Another of my favourite performances is that of Tallulah Bankhead in Lifeboat (Alfred Hitchcock, 1944).

I’ve never seen The Mountain Eagle. You’ve never seen The Mountain Eagle. Strictly Vintage Hollywood provides an approximation of Hitch’s lost film.

The Culturist lists YouTube clips from Alfred Hitchcock Presents…, featuring Bette Davis, William Shatner, Robert Redford and more!

Some visual delights: Hitchcock and his terriers and Hitchcock posters from around the world.

And, y’know, fundraising is the name of the game here, so check out The Smithsonian’s piece on streaming archive film and the blogathon.

The blogathon is officially over, but you can still donate to the National Film Preservation Foundation.

Kine Bi-Weekly

This weekend I’m away at Bradford International Film Festival’s Widescreen Weekend, so here are just a few links queued up on Google Reader for my return.

Society of American Archivists > Preservation Week 2012 >> Gah! I’m a terrible film-archivist-blogger, for I haven’t even MENTIONED that it is Preservation Week over the pond! Apologies, though ’twas not my fault! I was in fact in Belfast securing my visa to travel to the States this summer to work at a friggin’ preservation research instituteoh the irony!

Flickr > Cinemas >> Beautiful and ghostly photographs by Adam Slater of Britain’s abandoned cinema and theatre auditoriums.

New York Public Library > John Cage Unbound: A Living Archive >> ‘The Living Archive is an online record of John Cage’s work and its evolving impact on music and performance. Browse the full archive of work below […], contribute your own video showing how you interpret Cage’s music.’

Barbara Flueckiger > Timeline of Historical Film Colour >> Fabulous, comprehensive new resource for film colour nerds; my favourites are Kodacolor and Dufaycolor, what’s yours?!

indiegogo > Database for Historical Color Processes >> Crowdsourced funding campaign for Barbara Flueckiger’s resource, above: ‘More than ever we need access to solid knowledge about historical film color processes in order to save our beautiful filmic heritage.’

The Washington Post > Library of Congress’s collection preserves history of American culture >> Ever wondered what goes on at the LoC outlet in Culpepper?

Ferdy on Films > Countdown to Blast-Off: Sign Up to Blog for Film Preservation >> Sign-up here to take part in the Hitchcocky For the Love of Film (Preservation) blogathon!

BBC Press Office > Chronicle: BBC Northern Ireland’s television news from the 1960s and 1970s >> ‘In partnership, the BBC, JISC and the British Universities Film and Video Council (BUFVC), today announce the launch of Chronicle, a project to make BBC Northern Ireland’s television news from the 1960s and 1970s available to the academic community online.’ Good stuff!

The Bioscope > Broken Dreams >> Luke McKernan is as eloquent as ever, discussing the peculiar joy of researching film in old periodicals (in particular, the London Gazette)

Phew, that’s a lot of news. Hope you are all having fun this weekend, celebrating Preservation Week…

Kine Bi-Weekly

Kine Artefacts shall go to the ball! Or rather, go to the archive film festivals! On Friday the blog will be reporting from the British Silent Film Festival (and lobbying for its return to Nottingham next year), and the weekend after I’ll reporting from (nearly) all of Bradford International Film Festival’s Widescreen Weekend!

In other blog-related news, my web designer/therapist and I have been working on a new improved blog, including custom design with a couple of fancy widgets in the works. Hopefully I’ll be able to wangle in some Southern Television resources to help other TV historians… Of course, I’m still developing a schedule for actually updating this darn thing regularly, so progress may be slow!

But that’s enough of me. Here are some archive film and TV tidbits from across the netosphere that caught my eye this past fortnight:

LA Weekly > Movie Studios are Forcing Hollywood to Abandon 35mm Film, but the Consequences are Vast, and Troubling >> Dur, dur, duuuuuurrrr!

LUX > David Hall’s End Piece >> What with moving image archivists focusing so much on the death of analogue cinema, one forgets that broadcasting is in a similar transition. David Hall’s television sets are timed to tune out alongside Crystal Palace’s analogue signal. I’ll be there for the white-noise-afterparty this weekend.

TV Techonolgy > Archiving, Preservation Moves into 21st Century >> Piece on how the broadcasting industry is attempting to address keeping TV artefacts in digital forms; see Joshua Ranger’s answer to the article here.

New Empress Magazine > The Ritz Cinema, Thirsk: A Photo Tour >> Happy 100th birthday to The Ritz – cinemas are artefacts, too, y’know!

Movie Morlocks: 10 of the World’s Most Unique Movie Theaters >> Glad to boast that I went to Futurescope in 1995! I think I still have the promotional VHS somewhere…

The Baltimore Sun > Gloves or no gloves? The archivist’s dilemma >> Also applicable to moving image artefacts, the goves/no gloves question crops up with surprising frequency (and documentary makers always ask archivists to don gloves!).

Silent London > The Silent London Podcast >> Woah! This blog’s talking like it’s 1927!

Moving Image Archive News > More Interviews with Moving Image Archivists >> MIAN has a brilliant collection of interviews, so you can meet the archivists behind the artefacts.

 

Kine Bi-Weekly

Here’s what’s caught my attention recently from the world of moving image archiving.

The National Archives > Charles Spencer Chaplin’s Secret Service files > MI5 investigated Charlie Chaplin at the behest of the FBI. You can download the entire thing from the National Archives this month for zero pounds only!

Eastman House > The Georges > Forget the Oscars! The Eastman House blog tells the history of the George Eastman Award.

Observations on Film Art > Pit and Pixels > ‘It seems likely that digital projection has, in unintended and unexpected ways, put the history of film in jeopardy.’ David Bordwell continues his fantastic and thought-provoking series, Pandora’s Digital Box.

lost.deaccession.org > Archive of the Digital Lost > ‘This archive is concerned with the emotional implications of: digital immateriality, atrophy, and error; deleted and overrriden digital assets; technological ignorance; and obscure and irrelevant digital detritus.’

Slate > Jim Henson’s 1963 Short about a Contemptuous Robot > What it says on the tin. (Related: those bleak Wilkins Coffee commercials)

The Film Archive > Gulliver’s Travels > Looking for something historical to watch? Here’s the world’s second ever feature-length cel-animated film, made by the Fleischers and released in 1939.

From the flickering archives: the retro, but now

This kind of links round-up may becoming a fortnightly feature, considering that the resolution ‘blog more’ is underlined twice in the ol’ diary and they are fairly quick and easy to source.

These links feature news, commentary, obituaries and general curiosities pertaining to archive film and television. If you salivate for more of the same, then do look up the Bioscope’s semi-regular newsreels, Classic Movies’ links, Moving Image Archive News and the AMIA listserv. Everything else comes to my attention via Google Reader or Twitter.

Austin PASIG 2012 > Preservation and Archiving Special Interest Group >> Your last chance to go to the PASIG tomorrow, who will be discussing issues and tools surrounding digital preservation (I’m an analog gal in a digital world, y’all, and this stuff is important).

Movie Morlocks > The persistence of persistence of vision >> Going back to the basics of recording moving images.

Hollywood Reporter > 60 Seconds of Solitude in the Year Zero >> Adding to the pile of eulogies to 35mm, coinciding with the news that Eastman Kodak may be on the brink of bankruptcy.

Cogo News > Polish pre-war films will be freely available online >> Yes, all of them! Europeana gets decidedly more interesting…

Silent Toronto > The Talkies hit Toronto! >> The ever-informative Eric rounds up posts about the emergence of talking pictures in Toronto cinemas.

Audiovisual Preservation Solutions > Does the discovery of ‘lost’ materials help or harm the archival field? >> Thoughtful reflections on every archivist’s desire to find a missing-presumed-lost film.

Jonathan Rosenbaum > A Few Words on Behalf of Uggie >> Kim Novak’s almost-fair-were-it-not-crazy point was undermined by her equating the use of Bernard Herrmann’s Vertigo score in The Artist with rape. Luckily we have Rosenbaum to offer a fairer opinion on this minor controversy, before returning to the far more pressing matter of Uggie the awesome dog.

And lastly, RIP Bob Holness, much loved presenter of ITV’s, er, Blockbusters, and RIP Frederica Sagor Maas, scriptwriter of the silent era who died at the incredible age of eleventy-one.

Links: archive film issues in the news

Metafilter > understanding Neilsen ratings  A mefite explains why NBC may be shelving Community due to the archaic Neilsen ratings system.

Reddit > the dangers of collecting film  One man’s incredible expedition to collect a print of The Day the Clown Cried (Jerry Lewis, 1972).

BBC > good news for Ken Russell fans  Finally, The Devils (Ken Russell, 1971) is to be released on DVD in Britain, albeit without the reinstated rape of Christ’s statue.

The Huffington Post > The Great Ealing Film Challenge  Congratulations to Dr Keith Johnston, one of my old tutors at UEA, whose personal endeavour to see as many Ealing films as possible has been picked up by The Huffington Post.

The Petition Site > fight for 35mm  An employee of the New Beverly Cinema launches a campaign to stop studios from taking their 35mm prints out of circulation.

With regards to that last link, there have been a number of heated debates sparked by the petition… What is to be gained from a wholesale switch to DCP projection? What is to be lost? Is it ethical to publically screen a film that has been transferred to a different medium? Is a DCP so different to 35mm? Is it better or worse?

I dunno, really. I think it is desperately important to preserve at least limited production of new negative film, screening prints and analogue equipment, and not just for archival purposes (film remains the archival standard). I for one would feel bereft to never see 35mm outside of an archive or festival.

On the other hand, technology is as technology does, and times change. < Sorry, that was a rather weak attempt to argue the other side!

I noticed Alexander Horwath’s elegant comment on the petition (and he has written extensively on the subject):

‘This is not only about individual memories and desires, but also about applying – as a civilization -what hundreds of years of human history, culture and experience have taught us: that in order to transmit to future generations a form of expression which (in our case) has been hugely influential for more than a century, it is necessary to also transmit it as a material and functioning system; this system is an essential part of its meaning. The meaning of film can’t be transmitted as an abstraction (“let’s just keep the ‘content’”), but only in the concrete form it took when it first became public – the material, functioning system of film is part of the content of each individual film. So, in order for film’s manifold historical forms to be fully grasped and understood a few hundred years from now, they need to persist both as artefacts and as practices: as film ‘objects’ and as ‘performances’.’

Quite!

(I may be biased because he also spells artefact with an e.)

Last photo © Jodi Warren Photography